Chromatics-Kill for Love From Pitchfork. Excerpts:
Chromatics formed in the Pacific Northwest as a rickety no-wave band more than a decade ago, but re-emerged in the mid-2000s with a revamped lineup and a new sound that nicely coincided with a resurgence of interest in the slow, dreamy, not-always-Italian dance-pop subgenre known as Italo disco. As with other acts on New Jersey-based Italians Do It Better, a label co-founded by group mastermind Johnny Jewel, Chromatics didn't just incorporate the vocoders and vintage synth arpeggios of the turn-of-the-1980s originals, they added the brittle guitars, dubby reverb, and urban dread of post-punk.
And:
If Kill for Love had been a 10-track LP, with its most immediately striking songs each edited down to around 3 minutes, it would've still been impressive. In fact, as recently as an interview posted last month by Self-Titled, Jewel hadn't yet made up his mind about whether to put out one or two discs. Ultimately, he made the right choice. Closer "No Escape" may not be as immediate as the title track when heard in isolation, but luckily, we don't have to listen to it in isolation. Just as on albums by the War on Drugs, Deerhunter, and countless others, the experimental interludes here help create a context that makes the pop songs that much more effective; by including so many mood-oriented parts, Kill for Love paradoxically rises above hazy synth-pop's occupational hazard of dissolving into a blur of mood and mood alone. It's not just a collection of hits; it's an album, one that gives the project's familiar nocturnal foreboding a new sense of grandeur.
Enough gabbin'. Let's let the music speak for itself.. Videos taken from both Night Drive and Kill for Love..
The last song is from the soundtrack of "Drive," which now becomes a high-priority viewing, not only for Gosling, but for my new favorites, The Chromatics. Enjoy..
Chromatics formed in the Pacific Northwest as a rickety no-wave band more than a decade ago, but re-emerged in the mid-2000s with a revamped lineup and a new sound that nicely coincided with a resurgence of interest in the slow, dreamy, not-always-Italian dance-pop subgenre known as Italo disco. As with other acts on New Jersey-based Italians Do It Better, a label co-founded by group mastermind Johnny Jewel, Chromatics didn't just incorporate the vocoders and vintage synth arpeggios of the turn-of-the-1980s originals, they added the brittle guitars, dubby reverb, and urban dread of post-punk.
And:
If Kill for Love had been a 10-track LP, with its most immediately striking songs each edited down to around 3 minutes, it would've still been impressive. In fact, as recently as an interview posted last month by Self-Titled, Jewel hadn't yet made up his mind about whether to put out one or two discs. Ultimately, he made the right choice. Closer "No Escape" may not be as immediate as the title track when heard in isolation, but luckily, we don't have to listen to it in isolation. Just as on albums by the War on Drugs, Deerhunter, and countless others, the experimental interludes here help create a context that makes the pop songs that much more effective; by including so many mood-oriented parts, Kill for Love paradoxically rises above hazy synth-pop's occupational hazard of dissolving into a blur of mood and mood alone. It's not just a collection of hits; it's an album, one that gives the project's familiar nocturnal foreboding a new sense of grandeur.
Enough gabbin'. Let's let the music speak for itself.. Videos taken from both Night Drive and Kill for Love..
The last song is from the soundtrack of "Drive," which now becomes a high-priority viewing, not only for Gosling, but for my new favorites, The Chromatics. Enjoy..
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